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Special Guest- USA Today Bestseller Sally MacKenzie, ‘Naked’ series author

Wednesday, May 19th, 2010

MamaWriters are completely thrilled to have Sally MacKenzie with us today. With a series of fabulously popular, fun Regencies, starting with The Naked Duke, Sally MacKenzie knows what it’s like to be a mom and a bestselling author. But not at the same time.

With some surprising lessons and wonderful insights, Sally talks with us about something we writers and mos don’t usually discuss: Maybe we can’t do it all, not at the same time.  And maybe that’s okay.

Please help us welcome Sally MacKenzie!

Hello to all the mama writers out there!  I have to like the blog’s motto: “Raising kids.  Writing romance.”   When Kris asked me to stop by, though, I wasn’t sure if she really wanted me. I told her I felt a bit of an imposter, but she said that was ok.

How am I an imposter? I am a wife and mother and I write romance, but I quit writing fiction for a number of years while I was raising my four sons.

Yep, I quit. Not right away.  At first I wrote while the baby of the year was napping or played nearby.  I bought a thick pad to muffle the sound of the typewriter.  (I shudder to admit that was pre-personal computer days.)

I finally did get a PC–an IBM XT for what now would be an outrageous price–when son #2 arrived, and then I switched to writing picture book texts.  The shorter length seemed more manageable and, truthfully, picture books were my main reading material at the time. I sent many of those out to publishers and got some positive rejections.  I even went through revisions with one house, but ultimately they decided my story was too much like another book already published and passed on it.

And then the youngest reached his final year of pre-school.  I decided to put writing aside to enjoy my last baby until he went off to full day kindergarten

Eight years and many carpool miles later….

I got back to writing when my oldest son was heading off to college.  I decided it was time to either follow my dream or give it up. I’d always loved Georgette Heyer’s books, and I’d read many–probably hundreds–of regencies while I was doing the baby thing, so I thought I’d try my hand at writing one.  The stars aligned, and The Naked Duke debuted in February 2005.  I’ve been writing Naked every since.

Do I regret my decision to stop for a while?  Yes…and no.

If I’d kept writing, maybe my career would now rival Norah Roberts’.

Wait.  Let me take a moment to savor that thought.

Or maybe not. Maybe I’d have burned out. Maybe I’d never have published. Maybe I’d be divorced. Maybe my kids would be in jail.

Or maybe not.

I don’t know what would have happened if I’d made a different decision.  When I look back, I have to remind myself how busy I was with kid duties.   My husband worked virtually 24-7.  His salary allowed me to stay home, but his hours meant I was mostly a single mom.  I wanted my sons to be in scouts and sports, to take piano lessons, to have lots of opportunities and experiences–and some of those activities needed me to step in to keep them going.

Would I recommend quitting?  No, unless you can walk away with no regrets.  If you can truly give writing up–or at least writing for publication–I’d say do it.  Publishing is a crazy business with no guarantees and absolutely no job security.  But if you’re cursed to be a writer (and I have to say some days it does feel like a curse), you probably don’t have a choice. The need to write will nag at you and eat at you until you finally give in.

The Naked Duke-Spanish Edition

If for some reason you can’t put aside a little time regularly to write fiction, you can do other things to hone your skills and prepare for the time when you can carve out fiction-writing time.  I always looked for volunteer jobs that involved writing.  I edited school and community newsletters: I wrote swim league guidance and high school fundraising programs and even a couple kid plays.  And my other volunteer positions–Cubmaster, swim team organizer, PTA president–helped me develop skills I find useful in the non-writing side of my writing business.

There’s definitely a risk in stopping.  On more than one occasion I found myself thinking about Langston Hughes’ poem, “A Dream Deferred.” And the longer I went without writing, the more impossible the dream seemed.  (Though I have to confess I feel overwhelmed every single time I face a blank computer screen whether at the start of a new novel or even the start of a new day’s writing session.)

I’m in awe of all my friends who are meeting deadlines and raising kids.  But we are each different with different demands on our time and energy and mental space.  Balancing everything is an ongoing challenge that I still haven’t mastered. But then life is a journey, not a race, right?

Okay, here’s the promo part–you didn’t think I just stopped by for the heck of it, did you?  If you’re looking for an escape from all the balancing, my next Naked book, The Naked Viscount, is out June 1–and earlier in some places.

The heroine is Jane Parker-Roth whom I met when I wrote The Naked Gentleman.  She pretty much grabbed me by the ears and demanded her own story.  The hero, Lord Motton, is beset by aunties. The story was inspired by one of Thomas Rowlandson’s pornographic prints that I saw in Vic Gatrell’s City of Laughter and features Pan statues with prodigious penises.

Did I happen to mention my youngest son’s college application essay was all about how embarrassing it is to have a mother who writes these books?  I did feel for him.  The Naked Duke came out when he was a sophomore at an all male Jesuit high school and I’d just finished a term as Parents Club co-chair.  But hey, don’t we parents exist to embarrass our children?

Special Guest – NY Times & USA Today Bestselling Author Alyssa Day

Wednesday, March 10th, 2010

MamaWriters as thrilled to have Alyssa Day with us today!  Her Warriors of Poseidon books have been hitting the lists left and right, and her  latest release, ATLANTIS REDEEMED, another sexy suspenseful paranormal released just last week.  Alyssa does it all with two kids, a Navy warrior husband, and a great number of Pugs.

Please help us welcome Alyssa Day!

Number Two Pencils

alesiahollidayToday I spent the morning at my daughter’s school proctoring one of those state-mandated standardized tests for a fifth-grade class.  At each desk, next to the dreaded text booklet, sat two freshly sharpened number two pencils.

It brought back a lot of memories.

I was one of those dorky, nerdy, (though we didn’t call it that then) brainy kids who loved the annual trip to the school supply school. Pencils and notebooks represented all of the stories as yet unwritten; the ideas as yet undreamed.  Still today, I am like a kid in a candy shop in the office supply store.  I probably own more post-it notes and markers and pens and pencils and notepads, in more different colors (ooh! Shiny!) than the law allows.  Ask most writers, from what my friends tell me, and you’ll find the same.  We’re all entranced with new journals, and pens, and shiny little objects to fill up our bookshelves and desk drawers.

They’re tools, of course, weapons in the writer’s arsenal, but they’re more than that.  They’re the freshly sharpened means to a magical end—the wonderful worlds and fully developed characters and emotionally resonant stories we create in the fascinating nooks and crannies of our writers’ brains.  But since (unfortunately, how cool would that be??) we can’t dump our brain against a computer screen and have the stories appear, we sharpen our pencils, fire up the laptop, pull out a notebook, and get to work.

Creating the impossible. Dreaming the dream.  Writing the stories that shape our novels.  The act of creation should be the joy, too, not simply the satisfaction of writing THE END.  The journey, to go a little Zen writer on you, should be the thing.  Just you and the blank page and that freshly sharpened pencil.

So there I was.  Surrounded by all of those wonderful young minds, focusing so intently, writing frantically and chewing on the eraser tips when book_redeemed_150they paused.  What was a writer to do?  I picked up my own pencil and began a new story.  I didn’t use these exact words, but mine meant the very same thing:

Once upon a time . . .

May all your endings be happy, and all your number two pencils be freshly sharpened.

Hugs,

Alyssa

Alyssa Day is the RITA-award winning and New York Times and USA Today bestselling author of the Warriors of Poseidon series about a race of warriors from the lost continent of Atlantis who fall into a world-bending kind of love with human women with very special talents.  Her newest release, ATLANTIS REDEEMED, is in stores now:   When 2,000 years of lost emotion hit you all at once—do you fall in love or die?

Please visit Alyssa online at http://www.alyssaday.com for excerpts, a free short story, video interviews, and more.  Thank you!!
.

Special Guest – NY Times Bestselling Author Angie Fox

Wednesday, February 24th, 2010

MamaWriters are thrilled to welcome back the wonderful New York Times bestselling author Angie Fox!

She’s talking with us about brainstorming, and some of those great overlaps between being a mom and being a writer.  AND she has a very cool quiz we can take (What Supernatural Pet is Right for You? )

If you post your answers in the comments section, you may win a copy of her latest release A Tale of Two Demon Slayers!

Moms being creative

angie-fox-author-photoLast week, my daughter managed to make yellow Play Doh toast and slip it into the toaster without me seeing (until I smelled it). My son painted the entire kids’ bathroom with pink foamy soap. And while both bouts of creative expression were messy (to say the least) they were done with complete dedication and a willingness to explore.

When you think about it, that’s not terribly different from what we do everyday as writers. I’m always looking for ways to break out and think about my books in a new light. And while I can’t always be as creative as a three-year-old, I do have a few tricks that have worked when it comes to taking my stories to a new level. Or at least they’ve done a good job at keeping the writing part of my day fairly sane.

The character push

In the beginning of my series, the heroine’s long-lost grandmother shows up and – whoops – locks the heroine in her bathroom with an ancient demon. I’d pushed the situation, but the grandmother was too nice. My critique partner called me on it and, blast her, she was right. I sat down and brainstormed a few pages of alternate “grandmas” before I hit on an idea I loved – a Harley biker witch grandma who hurls recycled Smuckers jars full of home brewed magic. One character change and the book became a lot more fun to write.

The mini-brainstorm

Sometimes, the first idea isn’t the best idea. Mini-brainstorms during the writing of a chapter always help me see if where I’m going is where I want to be. Sometimes, I go back to my first idea. Other times, after I’ve forced myself to come up with a page full of alternatives, I find I like a new idea better.

It works on big plot points, but just as well on little details. For example, in A Tale of Two Demon Slayers, Lizzie finds a mysterious egg-shaped stone. I had no idea what it was, but decided to play with it. Turns out, it was a dragon egg. The egg hatches and Lizzie’s talking dog, Pirate, decides he has a pet. It made me smile to think of a pet owning a pet. Lizzie is not happy about that. She has enough going on and doesn’t think her dog needs to own a pet.

So she tells Pirate to find a new home for Flappy the dragon (Pirate named him, not Lizzie). So Lizzie is battling evil people and losing track of what Pirate is doing. He keeps promising to find a new home for the dragon, but instead Pirate is hiding the dragon, and loving the dragon and teaching him tricks. Every time Lizzie realizes the dragon is still there, it’s gotten bigger and bigger and, well, it’s just one more thing she can’t quite control.

Kind of like motherhood.


The “chill out – this doesn’t have to count” brainstorm

Sometimes, when a chapter just isn’t working, I have a hard time making the (often necessary) massive changes, because I don’t know if I’m going to make things better or (gulp) worse. But one day, I borrowed a technique from my days as an advertising writer and lo and behold, it works on fiction too.

I made a duplicate copy of the impossible chapter, and then went to town on changes. By letting my brain loose on a “throw away” chapter, I freed it up to stop thinking about “How am I going to get my heroine out of the love scene and ramped up for hell?,” to “Hmm…pillow talk. This is a good time for the hero to admit he wasn’t one hundred percent honest with the heroine at the start of the book. Now the heroine can get so mad that she dumps his boxers in the ice bucket, throws his pants off the balcony and almost goes to hell without him.”midt2ds

Brainstorming is all about freeing up your mind and your creative energy. You get to surprise yourself, and feel the rush of excitement as you hit upon new ideas and new places to take your story. Because when you’re fully engaged in the story, pushing your characters harder, waiting to see what’s around the next bend – chances are, your audience will feel the same way.

Angie Fox is the author of A Tale of Two Demon Slayers, a new release from Dorchester. And she’s giving away a copy right here. Just take the quiz, inspired by Pirate and his pet dragon. What Supernatural Pet is Right for You?

Post your answer below and you’re entered to win!

Special Guest – Historical Romance Author Carrie Lofty

Wednesday, January 27th, 2010

MamaWriters are excited to have Carrie Lofty with us today! Author of two medieval romances, her second one, Soundrel’s Kiss, just released from Kensington this month, and she’s talking about the writing of that book, and how, with her young kids newly off to school, the magical appearance of Lots Of Time didn’t appear so magically after all. Hmmm, I was certain that was part of the deal . . .?

Please help us welcome Carrie Lofty!

Scoundrel's Kiss

Many, Many Mochas

Writing SCOUNDREL’S KISS was my first experience of producing fiction under deadline. Until then, I’d worked of my own volition and with self-imposed goals. (Seeing as how my girls were not yet in preschool at the time, that was probably for the best!)

But as I sat down in the fall of 2007 to write SCOUNDREL’S KISS, something miraculous took place: my little darlings went off to school! Preschool and pre-K to be exact, and for only three hours a day, but I thought it the most wondrous three hours any day had ever seen fit to provide.

Imagine that. No interruptions. No other chores. No expectations other than producing new pages each day. Bliss.

Only…it didn’t quite work out that way.

I couldn’t seem to concentrate. I didn’t know what to do with myself. Part of me, after years of staying at home with the girls while my husband finished up his MBA, was in rebellion. I wanted to play around for a while! And to say I lacked discipline is a radical understatement. What I can now do in a day took me the whole work week back then. At such a pitiful rate, I was going to run up against my deadline. Not good!

So I started dropping off the girls and heading straight over to my local coffee shop. Some days I would cheap out and order the $1 house coffee. Other days I would splurge on a mocha. There, I was able to find my groove. All of those uninterrupted, productive three-hour blocks began to materialize as I’d hoped. Chapter after chapter clicked by.

I submitted my manuscript with a month to spare.

Not only did I get past the initial freak out of making my child-free hours productive, I learned how to apply myself toward external deadlines. The skills I’d forgotten since having my daughters came back in force. And it only took an unfathomable number of mochas.

Times have changed since that first fall as a professional writer. My girls are in kindergarten and first grade now, away from home 6+ hours a day. I have time to write, network, promote, do chores, and even sometimes exercise. (Can you tell I’m still thinking along the lines of new year’s resolutions?)

But to do so, I still have to be vigilant, lest I lose whole days to Twitter, “Doctor Who,” and “So You Think You Can Dance.” Most times, I do my writing away from my desktop computer, with its super high speed internet connection and gorgeous widescreen monitor. But luckily for my bank account, I eventually learned to spend working hours in the library!

Visit Carrie and check out excerpts and reviews at http://carrielofty.com/

Special Guest – Eloisa James

Wednesday, December 30th, 2009

The fabulous Eloisa James is with us today from Paris, and we are thrilled to have her here during the holidays. She’s talking about being a wife, mother, daughter-in-law, and writer, and how precious these fleeting moments are, whether they’re what we planned for or not.

Please help us welcome . . . Eloisa James!

[UPDATE: The winners of Eloisa's prizes from Paris are Penny Watson,  Thea, and Carol Boutin.  Congratulations!  Eloisa's assistant will be contacting you.  Thanks to all for sharing as MamaWriters.]

eloisajames_photoIntellectuals have always flocked to Paris. Hemingway ripped out his novels here; Gertrude Stein wrote hundreds of page here; David Sedaris (to jump from the ridiculous to the sublime) had a ball embarrassing himself in Paris and then writing about it.

When my husband and I decided to spend a sabbatical year from our respective universities in Paris, I confidently sketched out four books I planned to write: an academic book about drama in 1607, a couple of romances, and a historical novel. (Cue the sound of hollow laughter.)

Not only have the four books not materialized, but I don’t even qualify for this blog: dump the Writer, cue the Mama. I’ve discovered an interesting fact about life: if you don’t write every day, no writing gets done. I always suspected this was the truth but having grown up in a family of writers without a television, I never really had a chance to test it out.

These days I specialize in creations with little shelf life and no paycheck. Yesterday my Italian mother-in-law took a few hours to teach me how to make stock from the remains of the Christmas goose. It was a fine lesson, but I will admit to a chill of dismay when the stock-turned-soup had disappeared ten minutes after reaching the table. Eleven-year-old Anna, fifteen-year-old Luca and I settled down in the afternoon to make Thank You cards. Hallmark has nothing to fear; no one but a parent could treasure these glittery, sticky creations. The only writing I do is on Facebook, where I’m creating something of an on-line diary of our Parisian adventures. As the day passes, my little a_duke_her-own_247entries fall off the page, relegated to “Older Posts.” It’s the writer’s equivalent of broth: shape it, create, it, watch it disappear.

The possibility of four books is quickly evaporating, but I’ve learned a valuable lesson. I’ve learned to grab the unexpected, to treasure quiet moments – those that have no obvious return, no printed word, no paycheck, no audience.

What about you? What’s a moment you experienced lately that reminded you that life outside of writing is precious — even as it seems to leave no trace?

Three participants will receive a glittery silly souvenir from Paris, because Eloisa may not be writing, but she certainly is shopping! Please do join her on Facebook for a glimpse of la vie Parisiennewww.facebook.com/EloisaJamesFans.

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