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Archive for enhanced creativity

Stuff Has To Happen

Thursday, January 7th, 2010

Making Things Active In Your Mss;

Or, If The Amazing Captain Underpants Has More Plot Twists Than Your Ms, You May Be In Trouble

Nothing can stop him . . .  June, 2010

Nothing can stop him . . . June, 2010

My son has recently discovered The Amazing Captain Underpants adventures.  Fortunately, I greatly enjoy them too.  With lines like, “George and Harold were usually responsible kids.  Whenever anything bad happened, George and Harold were usually responsible,” how wrong can you go?

In any event, as we ripped through the first book at lightning speed, in one sitting, Christmas night, I realized there was a lot happening in those pages.  Like, a lot.  Not deep, dense thematic stuff stuff, nor layered complications of the sort single title length popular fiction writers (us) aspire to.   But just . . . stuff.

Now, whenever I recount a book I’ve read or a story I’ve seen, rarely do I say, “It was a majestic sweeping survey of human relations and human frailty blahblah.” I, and others, generally say things more like, “And then they ran around the corner, right?, and there was this car, and it EXPLODED! So, they went back the way they came and….”

i.e. Stuff Happens.

I’m not saying we should pack our novels with titillating, pointless conflicts or the literary equivalent of car chases and pyrotechnics just to fill pages.  I believe firmly that we need deepening risks and complications for our protagonists,  not high-speed, successive-but-unrelated-conflicts.  I cheer when I get a story where the tension is ramped up via the use of subtext.  I love underlying themes, revealed through character blind spots, Black Moments and triumphs.

I’m just saying we need to make sure there’s enough actually happening in our story world, actual story events, that will make the reader turn the page.

This means the reader has to have questions.  Questions like, “OMG, how will she ever get out that window with him standing right there?”  Or “Oh man, they are SO going to fight about this.  Wonder who will win, and what they’ll do to the other person when they do?”  Or “No, way!  That army just camped beneath the tree they’re in–holy cow, what next?”

In short,  something of more or less value has to be at risk, so the reader can wonder, “How will they make it out of this?”

And for me, that is one of the most fun things about writing,.  Making things bad for other people.  ;-)

On the topic: http://www.therejectionist.com/2009/09/little-kids-can-write-books-better-than.html

And then, of course, there’s this: ( http://www.youtube.com/watch?v=EBM854BTGL0&feature=related )

See what she’s talking about?  Story. Story, story, story. Not themes, not character arcs.  Things That Happened That Made Stuff Really Bad for Characters We

England, 1152: After seventeen years of civil war, things are about to change...

England, 1152: After seventeen years of civil war, things are about to change...

Care About.

Because, in the end, we readers aren’t necessarily supposed to ‘hear’ the larger issues at work in a story.  We’re just supposed to get a good story.  Make that: A Good Story.   The actions and unfolding events are supposed to communicate any larger issues or themes.  And those unfolding event and subsequent character actions are best when they increase the stakes, when something changes as a result of the event and choices made.

(Hint: Sitting in a coffee shop chatting  probably won’t do it. It may reveal information or character, but if it doesn’t change anything in the next story scene, it doesn’t count.)

When you ask a child to tell you a story, or the synopsis of a story they’ve read or heard, you get the important Story stuff.  Plot twists, explosions, the big Black Moments, what the bad guy did, and how the good guy fought back.  (Of particular note: They will usually, although not always, mention warrior-heroes with swords if one was, in fact, present.  I am in favor of this.)

I’m telling you, if you have a young child, and his/her reading material contains more plot events than your current work-in-progress, you may be in trouble.

(Said by the woman furiously trying to write a wip with value-relevant plot turns that deepen conflict, increase stakes, and generally emotionally sucker-punch the hero and heroine who are already, poor kids, in a very tight spot. )

How about you?  How’s your work-in-progress? Feeling stuck?  Would a Captain Underpants-type plot turn help get you going again?  Remember, sometimes (often) this writing gig can be fun too.

Time for some “R & R”…

Monday, April 20th, 2009

“Never be afraid to sit awhile and think.”
~ Lorraine Hansberry


American Playwright, A Raisin in the Sun

 

“Making time for rest is an investment in your future,

in your brain, in your creativity, in your stamina,

and in your success.

~ Hank Phillippi Ryan

in The 101 Habits of Highly Successful Novelists by Andrew McAleer

 

 

Happy Monday!

 

Today, I’m continuing my “Just B.R.E.A.T.H.E” series…

 

A quick review: We are creating a strong physical foundation for our participation in the all-uphill marathon of writing. (Isn’t that what being an author sometimes feels like?) Our chosen event is full of obstacles (less then stellar contest results, editor and agent rejections, characters who simply refuse to talk to us, hours sitting in front of the computer) and fierce competition.

 

Would you jump into a marathon without any training? Heck no! You’d do everything possible to prepare, to be the best you could be and to triumph over obstacles and the competition. So, slap on those sweats, tennis shoes and headband…here we go!

 

Today it’s all about the “R”: Rest and Relaxation…

 

For our purposes, the term rest refers to times when we are taking it easy or “not doing” and times when we are actually sleeping. And they’re both important for successful completion of our writing marathon!

 

1162251_bulldog_francesSLEEP

 

We’ve all done it – pulled an extra late night or early morning to get some writing done amidst mountains of laundry, deadlines at our “day job”, carpooling, kids’ events, grocery shopping, housecleaning, cooking dinner, cracking the whip during homework time…

 

But before you nix your time in the Land of Nod, think about this: sleep provides physical and mental support for your writing. Shakespeare called sleep “nature’s soft nurse” in reference to its restorative functions. While you’re snoozing your body is busy recovering from the day by fixing microscopic injuries to muscles, skin and bones as well as boosting your immune system so that you can fight off illness (keeping you at the computer where you belong instead of sick in bed). Mentally, sleep facilitates much needed time away, allowing your ideas to “marinate”. According to Mark Jung-Beeman, a psychologist at Northwestern University, “Sleep makes a unique contribution” to our ability to incubate and form ideas. “When you think you’re not thinking about something, you probably are,” he says. (To read more click here.)

 

Snagging a short nap during the day can also be good for your writing. Dr. Sara Mednick, author of Take A Nap! Change Your Life, says that the right nap at the right time “increases alertness, boosts creativity, reduces stress, improves perception, stamina, motor skills, and accuracy…”

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An interesting tidbit: Google installed futuristic loooking recliners with noise and light blocking hoods called EnergyPods so their employees can nap then return to work refreshed and more productive.

 

So, the next time you want to skip out on some zzz’s, think about how sleep might be contributing to your written masterpiece!

 

 

 

605471_jamaican_beach_hammockREST & RELAXATION

 

In his book Healthy Aging, Dr. Andrew Weil says, “The essence of rest is not doing – that is, being passive on both the physical and mental levels.” Rest makes us better writers in much the same way as sleeping. It refreshes our bodies and recharges our minds.

 

Rest is simple but it’s, by no means, easy. We are so programmed to use every spare moment, multi-tasking and mentally checking off our never-ending to-do’s as we race through the day.

 

Try to find fifteen or twenty minutes today for rest, enjoying the fresh air and sunshine, swinging in a hammock, soaking in a bubblebath…whatever facilitates being passive, doing nothing for you.

 

Or use that twenty minutes for relaxation. When we consciously relax, we are purposely acting on our nervous system, engaging the “rest and digest” branch (also called the parasympathetic nervous system). When this part of our nervous system is in charge, our heart rate and breathing slow and our blood pressure drops as do the amount of stress inducing hormones and neurotransmitters in our brain and blood stream. The tension in our muscles melts away and our blood flow improves. Like when we are sleeping, our body and mind restores itself. After a relaxation recess, our concentration increases and we have more energy.

 

Deep breathing is one effective relaxation technique. You can read more here.

You can also try progressive relaxation: start at your feet (or your head, whichever you prefer), tense then relax that part of your body. I like to visualize each part of my body detaching and floating away after I tense it. But you can also imagine it heavy and leaden too. Now move on to the next part of your body and the next and the next, until you’re one limp noodle. Stay there for a few minutes and yes, you guessed it, breathe.

 

Another relaxation technique is visualization. Mentally transport yourself to a warm and sunny beach or a hidden, verdant oasis – any destination that conjures up sighs of blissful repose will get the job done. You can enhance the experience by playing a nature sounds CD.

 

Yoga, Tai Chi, listening to relaxing music, and, my personal favorite, getting a massage are other effective techniques for relaxation.

 

I hope you can find a few minutes today to strengthen your writing’s physical foundation by resting or relaxing! Hey, you might surprise yourself and get more done than usual.

 

What’s your favorite way to rest and/or relax? Does it improve your writing? Life in general?

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Just B.R.E.A.T.H.E.

Monday, March 30th, 2009

757998_yoga

Before I decided I wanted to be a writer, I worked as a massage therapist. The vast majority of my clients suffered from tight shoulders, neck and back aches or carpal tunnel-like symptoms. I was constantly reminding them how hard the age of computers is on our bodies. I suggested that they stop every 30 minutes to an hour for a short stretch or ramble around the office. I reminded them to drink plenty of water and get the rest they needed, etc. Quite often it seemed these suggestions fell on deaf ears. “Don’t they want to get better?” I’d ask myself. “Don’t they see that a little effort could go a long way?” I wondered.

 

Fast forward fifteen months, about 200,000 words, a couple of blogs, several handfuls of classes…

 

About a month ago, I was whining to my husband about how my back and neck hurt and how that pain seemed to be moving into my shoulder. “Well, you have been sitting at the computer a lot lately,” he answered, oh so helpfully.

 

DUH!

 

Talk about the pot calling the kettle black! I’d become my clients with whom, only a few months earlier, I’d been so frustrated. After several similar conversations with some of my author friends, I decided that maybe we authors needed a gentle kick in the pants (myself included). I mean come on, how can we do our best work when our physical foundation is hurting, aching, crumbling?

 

So I decided to channel my massage therapist self and pass on some gentle reminders, to help us all “Just B.R.E.A.T.H.E.”. Each letter stands for a different way in which we can physically support our writing. Today we’re going to talk about “B” for breathing. It’s a relatively easy place to start – we’ll work our way into the harder stuff (where we actually have to get off our duffs and move away from the computer screen. “No, say it isn’t so!” my writer self is crying). :0)

 

Most of this information isn’t new to us. We’ve all heard it before, but maybe we can see it a little differently by realizing how it applies to our work as writers.

 

So, imagine yourself an athlete competing in the arduous, demanding sport of Olympic writing. We’re prepping for the all-uphill marathon. (Isn’t that what being an author sometimes feels like?) And it’s one heck of a race full of obstacles (less then stellar contest results, editor and agent rejections, characters who simply refuse to talk to us) and fierce competition.

 

Would you jump into a marathon without any training? Heck no! You’d do every possible thing you could to prepare, to be the best you could be and to triumph. So, slap on those sweats, tennis shoes and headband…on your mark, get set, go!

 

Breathing:

 

First, a quick trip to Biology 101. On a very basic level, breathing is our body’s way of getting nourishment. As we inhale (or inspire), we are bringing oxygen to our body and all of its systems. As we exhale we are carrying away waste in the form of carbon dioxide. The word “inspiration” has an interesting double meaning. In addition to “breathing in”, inspiration also indicates, according to Merriam-Webster’s Collegiate Dictionary, “the action or power of moving the intellect or emotions”. Hmmm, sounds vaguely like what we try to do as writers – move our readers’ intellect and emotions – don’t you think? Here’s another fascintating tidbit. The word “inspire” comes from the Latin root “spiritus”meaning not only breath but soul. So, it seems breathing is important on many different levels (physical, mental and spiritual). Throw in its positive stress-reducing benefits, and we’ve also got an emotional component. Pretty powerful stuff!

 

But enough waxing philosophical. How can breathing help us build a strong physical foundation for our writing marathon? The oxygen we bring in during breathing feeds the muscles of those crazily typing fingers (they are crazily typing, right? :0)  ). It also brings much needed fuel in the form of oxygen to that most important organ, our brain. Our brain makes up only 2% of our body weight yet requires 25% of the oxygen we breathe in. That’s one hard working organ! Feed it right with good breathing.

 

Most likely, we’ve all heard of deep breathing or diaphragmatic breathing. Well, that’s a good place to start. Tune into your breath right now…

 

When you inhale, where does your breath stop? Your neck? Your chest? Your abdomen? In order to bring in all of the oxygen you need and clear out all of that nasty carbon dioxide, you want to breathe into your abdomen. Try it a couple times. Really feel your ribs expand, stick out your belly, stretch your shoulders up and back. Feel any different? More relaxed? Maybe more awake? More focused? Take the next couple days to periodically check in with your breathing. Strive for an inspiration that goes clear to your abdomen, an inspiration that clears and feeds your brain for writing, writing, writing.

 

If you feel like you have a good grasp on diaphragmatic breathing, there are other breathing exercises that specifically target increased awareness or improved creativity.

 

Scientific studies have shown that single nostril breathing corresponds to increased activity of the associated brain hemisphere. So, to give your creativty a kick, gently close your right nostril and breathe in through your left nostril (which is associated with your right brain, the typically more creative side). After you inhale, release your right nostril and exhale through both. Repeat the cycle several times and notice any differences.

 

A quick note: if you feel overly light-headed while working with these exercises, stop. It’s like training for a running marathon, you have to build up your strength and endurance.

 

Here are some resources if you’d like to learn more:

 

WRITING BEGINS WITH THE BREATH by Laraine Herring

8 WEEKS TO OPTIMUM HEALTH by Andrew Weil

BREATHE IN, BREATHE OUT by Jeffrey A. Migdow & James E. Loehr

 

I’d love to hear your favorite creativity kicking techniques (breathing or otherwise) or more about your experiences with the ones mentioned above.

 

My next post (April 20th) will be the letter “R”…What does it stand for? I’m going to leave you in suspense…Mwahahaha!

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