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Archive for Ashley Ludwig

Constructive Criticism –How to Reap Results from Group Critique

Friday, March 26th, 2010

This morning I’m late–it was a matter of either get the Kindergartner dressed for “Miss Match” day, or make my post.

Sorry Mamas. But, I know you understand!

Anyway, I got her dressed and ready. Polkadot mismatched knee-socks, striped shorts, checked top, funky hair bows, and mismatched, sequin shoes. She smiles a mile wide and says, “PERFECT! I don’t match AT ALL!” Here she is:

Miss Matchy!

Miss Matchy!

How amazing, that striving for imperfection made her day. Made me also think about criticism. Our inner critics as we race out the door in “mom-wear” – hat pulled down, sunglasses, and sweats – to get our kids to school or play-dates on time! And how much time we take ironing out our manuscripts before we get them ready for print.

So, take a moment and read through this post by my fellow critique partner, friend, and new Mama Author, Beverly Nault – as she dishes on Constructive Criticism, and how to handle a solid critique:

Reaping Results from the Group Critique – by Beverly Nault

Think of your critique group as a greenhouse. Whether infant or mature, each PLANT requires pruning and fertilizing, just like a story, article or scene. Follow these guidelines for an abundant HARVEST worthy of today’s market.

When you submit for critique:

Have Patience – only unwanted mushrooms grow overnight. Be ready to learn, it takes a discerning eye to identify weeds in the money crop. Even mature writers can learn a thing or two.

Listen – Babbling about your hours in the field wastes valuable time. Save chit-chat and seed swapping for later.

Accept advice and input. You waste everyone’s time if you don’t intend to glean wisdom.

Never argue, explain, or apologize. Let me explain. Briefly introduce the context, but if you defend or argue, you could have stayed home and read the ‘script to the chickens. Apologizing means you didn’t spend enough time checking for typos, errors, or other problems.

Take it all in. Some input you should take with a grain of salt, some you might take to heart. Consider all feedback, maybe your co-author has a point. Friends and family members, sometimes even busy editors, may not offer the honest perspective fellow authors will.

Now, grab your hoe, um, pen, and take a turn in someone else’s garden to prepare for the HARVEST. Here’s how to cultivate:

HELP by beginning with a positive comment about at least one, preferably several things, in the submission. Your remarks may inspire the author to develop a special technique or style. Also, you wouldn’t dump a truck load of fertilizer on a seedling, so try to measure out advice appropriate for each member’s readiness.

Agree and move on. If you concur with another’s remarks, say so, but keep it simple. For example; “I agree with Farmer Joe that dandelion patch needs work. Now about these boll weevils.”

Resist rewriting. Your style is different from everyone else’s, don’t try to clone. You should, however, suggest alternatives to clumsy or clichéd smaller sections. Also, resist asking questions; receivers should listen, not expound.

Value concept and content. It’s not just a good idea, it’s the law–freedom of speech, right? If the work is for a specific market, you can identify something that’s possibly offensive or that might alienate, but what others grow, er, write, is not your concern.

Explain only (and briefly) if you’re an expert or professional. Maybe you know more about the rare blooming titan arum than the average Jane and the piece mentions a second annual bloom. Gasp! Authors rely on valuable resources, and we should check each other’s facts and information whenever possible. That being said…

Stay focused. Following rabbit trails consumes precious time.

Thank other authors for presenting their precious cuttings and encourage them to return with another scene or revision for the next session. Nurture, nurture, nurture.

By sharing our own and reviewing each other’s creations, we gain knowledge, skill and the courage to plant seeds for a fruitful harvest. That rare titan arum? It only blooms once a year. When it does, it smells like rotting fish. Eww. No stinkers here please.

Categories : Ashley Ludwig
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Back to the Books!

Tuesday, March 9th, 2010

Last November, some of you may be aware, I stopped working outside the home and became a full time MamaWriter. At that time, both invigorated and terrified, I decided my kids  would become my “job.” In a way and with a vigor not held since my littlest was in diapers, I became super mom. Involved in everything. In control of, um, well, nothing.

Seems my kids missed their daycare. They missed their friends. They missed free play and running around like wild banshees. My reins were too tight. My supervision too strict. Suddenly, I was in a Mama Quandary. What do I do, now? Where did I go wrong?

Sometimes writing feels this way. You develop a plot, plan your characters, give them problems, help them sort them out. If you have trouble, you reach for books like “The Flip Dictionary,” “Hooked!,” “Plot & Structure,” or “Revision & Self Editing.”  You track your characters and scenes with your WIP Notebook until you know their world better than your own. Ultimately, you work with your characters until we all reach our happily ever after! or you shelve them. They become a stack of pages or files on a computer, rarely to be touched again.

And then, there’s real life.

Each Happily  Ever After bedtime ends with a new beginning the next day. Motherhood is a 24/7 job with no pay and little reward, I decided.  I became sullen, gloomy, opted for house beautiful even if the kids would rather play together than with me. THIS one was a fun decision. One room would be sparkling, then the kids would be drawn to the shining floor, the organized toys, as if I’d provided manna from Heaven. Soon, the order would become chaos, and it would all begin again.

I couldn’t win.

So, what do I do with writing when things go sideways? I research. I hit the books. One bright sunshiny day, when my youngest was darting from me, making mama lose her top in public, as was her newest 4yo game, I turned to a friend who is also a child psychologist. What do you recommend for a mama who’s at her wits end?

Turns out, she had a book. Parenting with Love and Logic.

Here are the basic principles:

  • Show empathy and love when your kids make bad decisions that affect THEIR Life.
  • Redirect anger, never level punishment in the heat of the moment
  • Offer choices that ultimately help your child make better life decisions
  • When the choices they make are “not great,” let them experience the consequences so they can learn from their own mistakes

And can I tell you how it’s changed my life? Okay, it’s changed me, which in turn is evolving our relationship… my 4yo, DD#2, responds better to choices that love and logic parenting offers. She now asks if she can run and play instead of running pell-mell away from me. She also tests the new limits I’m giving her, daily.

While I don’t want to be the mama that looks like she’s about to tear out all of her hair, I would LOVE it if my children were perfect in all circumstances. But I’m not raising automatons, nor am I expecting things to be smooth sailing every day of my life.  So, each day I hit the books, remind myself to remind myself to breath, and think about how much I love them while they are pitching fits and making irrational demands. Love, followed by logic, as we all make our way through our happily ever after! Wish me luck and I’d LOVE to hear your best parenting and/or writing tools!

Finding Your Voice

Tuesday, February 17th, 2009

Good morning, Mamas!

Driving home from critique group the other night, I mused on a comment I’d received. One of the ladies mentioned how–reading my pages–she’d settled in and enjoyed my voice: funny, sassy, and rather like reading up on a friend.

First of all—grin—who doesn’t want to hear that, right? A Good critique sends you sailing. Still, I had the constructive criticism knocking about in my sifter, rolling over the nuggets of wisdom to add to my WIP. I returned home at 8:30 pm to all the lights out downstairs. Goody! My hubby got the girls upstairs and ready for bed…CRASH! BOOM! Thunderous footsteps sounded as they charged across the upstairs hall and dove screaming with laughter onto their beds.

Uh-oh. They were getting ready for bed “Daddy Style.” Still, they had teeth brushed, hair combed, and faces washed. But ready for bed? Puh-leeze. Not even close. It took a good half-hour more to get my 3 year old daughter to snoring. My older daughter, almost 5, was properly bribed (with her birthday tomorrow, she’s in a very bribe-able place) to stay in bed.

This got me thinking:

When I get them ready for bed my voice is soft. My tone is smooth. Foreheads get kissed. They say prayers in their sweet, lilting tones. I invent a story for them for the night. They yawn. We rub noses like Eskimos, and out the door I go.

When Daddy puts them to bed—he starts by tickling them. Everyone giggles. They jump from bed to bed, completely riled up, and either:

  • I end up with everyone sprawled in my bed
  • I do the above ritual anyway.

The point is—as parents—our voices are unique. A writer’s voice is an ethereal thing. When you pick up a book, you like it or you don’t. It sits well with you, or it doesn’t. Unless you have to read something for school, chances are you’ll end up with a stack of unfinished novels on your night table, or reaching for your old standbys; authors who never let you down, because their voice is as familiar to you as your own child’s.

Most of us—I know from reading many of your bios—are Jane Austen fans. We love her voice. How she draws readers into what are now historical regencies, but were actually contemporaries in her day. We cry with her, laugh with her, fall in love with her over and again. In a more contemporary vein, I’ll follow Nora to the Pagan Stone, through the Valley of Silence with vampires, or on just another romantic romp with a sassy heroine and the man she almost misses falling for. It’s her voice. I trust her. She’s not going to leave me in a lurch on page 346. She’ll take me just where I want to go.

So, how do we find our voice? Like our babies, we each must practice as writers. We gurgle and goo, and cliché our way through early tales. We struggle to find our voice, tell our tales, and then—even more importantly—to be willing to share our stories. Whether we share them through the careful review of our critique partners, or ultimately with agents and publishers, share them we must because this is the desire of our hearts. And like our children, we stumble and fall before we get it right.

What’s your take on a writer’s voice? And which authors would you curl up and read, or hurl across the room in disappointment? Everyone who comments’ name goes in a hat tonight – and the birthday girl will draw the winner: A preview copy of By Another Name, by Ashley Ludwig – releasing April 11, 2009

Categories : Ashley Ludwig
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