Layout Image
Layout Image

Archive for Heroes / Heroines

C’mon, Baby, Light My Fire

Friday, December 4th, 2009

I’m not going to be the least bit shy about admitting what a huge Twilight fan I am.

Hey, there is even a group called Twi-Moms. So, I’m not such an oddity after all! Having mentioned that, I’ll have to assure my hubby I haven’t joined. The man is getting an extreme amount of satisfaction in teasing me about my obsession. But I can’t help it!

I’m sure there are other mamas out there who have seen New Moon way more than my measly three times. And, yes, I was one of those goofy fans who stood in line for two hours to see a movie I already owned, but it was FUN! (Of course, I say two hours and hubs says five. He seems to think watching Twilight first should factor into the grand total wait time to see the second film, but what the heck does he know! lol)

The whole pexerience was a blast! I had never been to a movie premiere where I’d enjoyed myself more. My BFF and I chatted with complete strangers about the characters, the story, and of course our Team choices. The excitement was tangible! By the time we got into our seats to watch the first movie, we’d whipped ourselves into a frenzy. Plus, I was very happy to report to my mother that I wasn’t the oldest person there either!

I’ve always been a historical romance reader. I cut my teeth on Regencies and Westerns. Branching out was a foreign concept. I knew what I liked and read nothing else.

Then, I started writing.

The funny thing about learning to write is you have to be a good reader, too. Eighteen months ago, I wouldn’t have taken a chance on reading something different- let alone looking at the time spent as research! It’s kind of like making cookies and forgetting the baking soda. Knowing what makes a good story is key! So what have I gained from my two-week-reading fest last summer and my three visits to the box office? (Besides providing chuckles to my friends and family, that is!)

I’ve never been more inspired.

Trying to balance being a mom, a writer, and a wife had left me feeling VERY overwhelmed. I’d high-centered myself with my own good intentions. Very similar to what the lovely Kris Kennedy was dishing about yesterday. I had worried myself into a state of spinning in circles. It was amazing what a couple of nights out with other like-minded mothers did for my resolve. Within a couple of days, I had thrown down 2K on my WIP- a feat I hadn’t managed in a while. That kind of break-through is worth all the teasing!

Yes, there is a lot of hub-a-ba-loo about the literary savvy of Ms. Meyers and her version of what “vampire” means. But looking at the situation as an aspiring writer, all I see is something I know all of us try to channel every time we plunk our booties in the office chair . . .the ability to write a kick a** story that will leave fans hooked and hungry for the next book. What more could an author possibly ask for?

Give us the low down! When was the last time you found inspiration in the most unlikely situation or place?

To learn more about Sarah Simas, check out her blog: The Lovestruck Novice and her critique group’s blog: Friday Night Write

Mold, Shape…and Create?

Monday, September 7th, 2009

Did you ever notice how creating characters is somewhat similar to raising children? holdingchildshandWhen I’m writing scenes with dialogue and action, I find I’m always trying to make the character seem sympathetic to the reader. When I’m teaching my children right from wrong, I’m hoping they’ll be perceived as respectable and good-hearted.

 

Of course, I can’t put words in my children’s mouth (darn it). I can’t type up their dialogue or plot out their happy endings. But I can give advice, lead by example and hope they’ll make the right choices and learn from the wrong choices. We as parents mold and shape them and expect them to grow up to be decent human beings. We try to be good role models and sometimes pray they’ll do as we say and not as we do. Oh boy. 

 

Creating characters is similar, in a sense. It’s my responsibility to make the hero and heroine likable or, at least, relatable. Sometimes it’s not the easiest task. At times the backspace button is smoking because I can’t seem to find the right words. The dialogue isn’t witty enough or the actions are questionable.

935286_42231986 Is the hero an alpha male or just a plain old jerk? Is my heroine being sassy or is that line coming off as bitchy?

Confident or arrogant? Nice guy or pushover? Intelligent or yawn-worthy? Bully or hero? Sympathetic or weak? Loveable or laughable?

 

So many questions to consider but in the end, my characters come from the heart. And my parenting comes from the heart as well. Knowing that makes life (and writing) much easier and it makes me proud to see the end result. And, really, is there any other way?

 

So tell me what you think. Do you mold, shape and create from the heart?

 

Viola Esrella

www.violaestrella.com

Angel Vindicated – eBook available now from www.cerridwenpress.com!

 

 

 

angelvindicated_cover

 

 

Asking Our Kids & Our Characters Questions- Getting The ‘Good Stuff’

Thursday, August 20th, 2009

Have you ever interviewed your characters?

England, 1152: After seventeen years of civil war, things are about to change...

England, 1152: After seventeen years of civil war, things are about to change...

I always thought it was a silly little exercise that would never work for me.  Then, a long time ago, when I was stuck while writing on my debut book, THE CONQUEROR, I did a little interview with the hero, and he clarified in my mind like he’d turned into crystal, with nooks and crannies of personality that amazed me. (I put the interview, exactly as it unraveled, down below, for those with more time to waste.) It was quite amazing.

With my son, not so great results.  You know, less clarity.

“What’d you think of that movie/game/etc?”

“Good.”

“Did you have fun doing movie/game/etc?”

“Yea.”

And so on.

Now, I admit, my son loves to talk, and we chat constantly.  And even if he’s feeling reticent, I can usually get some good ‘stuff’ from him (‘Good Stuff” in the Mommy sense, i.e. information &/or genuine emotion) But I usually get the good stuff when I’m fully focused on him (you know, like I want him to be on me) and when I ask better questions.

Kinda like my characters.

So, when I’m talking with my son, “What the funniest/a funny thing that happened with so-and-so today?” yields better results than “What did you do today?”

When I’m talking to my protagonists, “What are you most afraid of?” gets better replies than “Why do you like Suzy Heroine?”

So, I’m paying more attention to the quality of the questions I ask, because I care about the quality of the answers I receive.

*  *  *  *  *  *

Here is that interview with the hero of THE CONQUEROR, Griffyn ‘Pagan’ Sauvage.  It was ‘conducted’ as if the story had not yet opened, pre-Page 1.  I put in some descriptive, staging, and interactive sorts of notes, because that’s how it came out.  It was as if I was truly interviewing him.

1) Do you like yourself?
Stared at me, then “I don’t know. It doesn’t matter. I do what needs ot be done.” Smiles suddenly. “I like you.”
I ignore his attempt at charm.


2) What are your plans?
“To get my home back. You know that.”
I nod.

3) Why?
Look of pain, turns away slightly and shrugs. “It’s my home,” he says, looking back at me. “I remember how it smells. It’s in my bones.”

4) What is your greatest fear?
Pauses, inhales, stares at wall “To be like my father.”
(Before this interview, I’d had no idea that was an issue.)

5) Why?
He was cruel, and heartless, and dishonest. He was a betrayer. He betrayed every promse he ever made, implied or spoken, to my mother, to his friends, to his king.
I ask “To you?”
He turns his head and looks at me in silence.

5a) What would be different if you were not like your father?
He continues his silence for a moment. “I would like a puppy, you know. Renny is getting old.”
I wait.
“I might get on the floor and play with him.”

6) What is your deepest dream?
“To go home. To govern Everoot well.”
I ask, “With a woman?”
He smiles crookedly and looks over my head.  Distant look comes into eye. “There’s no one I can think of.” Drops gaze. “Yes, with a woman, of course. I will marry as my king commands.”

7) How do you plan to achieve getting back Everoot?
Looks at me as if I’m stupid. “Spy on Stephen, then go with Henri and take the country back.” Pauses and cocks one eyebrow. “You know that.”
I get slightly impatient. “Remember, you’re not allowed to scare me.”
He smiled and shrugs. “Remember this–I like you.”
I laugh.

8) What secret are you keeping from the world?
Laughter dies. He drops gaze, then looks back quickly. “There’s the treasure, of course.”
I nod. “I know. I meant inside of you.”
Another pause, then in a flat, dead voice, “That I am like my father.”

9) Why don’t you want anyone to know?
Just looks at me.

10) Someone told me that you stole yourself a squire?
He smiles back without confirming or denying.

11) Why?
Face hardens briefly, then mask of calm detached comes over. He shrugs. “Because his lord was a cruel, heartless–” words suddenly stop. I would swear he’s about to curl his hand into a fist, then he resumes. “Edmund did not deserve that, and he did not belong there.”
(Note: This character Edmund had a larger part in previous versions of the story)

12) Why are you so adamant about that? Many people are mistreated–why do you care so much? Why does it make you so angry?
“I’m not angry, and you know it.” I nod. He leans forward in seat. “I’m furious,” he goes on in low-pitched voice, “that someone with so much power would mistreat one with so little.”
“And you know what it feels like,” I add quietly.
He leans back suddenly in chair and smiles, the mask. “I know what a lot of things feel like. I do not fight them all.” Smile deepens, turns rougish and, if superficial,  at least genuine. “Some I embrace.”
I smile back.

13) Who the heck is Alex?
Big smile. No, a grin. “My friend.”
I wait, then, “You trust him.”
“With everything.”
“With Everoot?” I ask.
“With my life.”
(This is when I realized Alex must, of course, be untrustworthy.)

14) Has anyone ever loved you?
He laughs loudly, carefree and unself-consciously. Wow.  “Edmund [his squire] does,” he finally replies, still laughing. “My men do, I suppose.” Thinks a moment, then answers more surely. “Yes, my men do.”
At this point Edmund enters, smiling at both of us, and says eagerly “Renny [the dog] loves you.”
Griffyn smiles and looks at Edmund. “I suppose he does.”
“All the servants and the merchants all like to deal with you.”
“That’s not love, Edmund,” Griffyn says tolerantly.
He turns to me to explain, in case I’m missing this. “Even the bishop,” he says in a solemn tone, “loves Griffyn.”
“How do you know?” I ask, amused, and exchange a glance with Griffyn.
Edmund considers this. “Well, for one thing, he hasn’t been frowned at.”
“Ahhh,” I say.
“That matters,” Edmund insists. He swings to Griffyn. “Doesn’t it?”
“Bishop Auger does frown quite a bit,” Griffyn admits, and then gestures to his squire. “We’re talking, Edmund.”
Edmund drifts over to sit on a bench near Griffyn.
(Note: I have absolutely no idea who Bishop Auger is. He just showed up in this interview.  But apparently he frowns quite a lot.  :-) )

15) So, all these people love you–even the bishop. How do you feel about that?
Edmund leans forward, drawing a breath, but Griffyn’s glance silences him.
“I will pay them back,”he says quietly

16) What do you believe in?
“I believe in Everoot.”
I nod. “And?” I ask, pushing him.
He seems to know this by the look he gives me. He glances at Edmund, then looks away, going into his own thoughts.
“I believe in keeping my promises.”

England, 1152: After seventeen years of civil war, things are about to change...

England, 1152: After seventeen years of civil war, things are about to change...

17) How far would you go to keep anyone from taking away that belief, reneging on a promise?
“I wouldn’t,” he says quickly.
“But, say someone you loved were going to be badly hurt if you honored a promise, then what?”
He looks at me and pushes his splayed fingers through his hair, shaking his head and smiling faintly. “That would be hard,” he admits. “It would depend on the situation.”
“Say if your wife would die.”
His eyes harden. “We’re speaking hypothetically here, right?”
I don’t reply.
“That’s a line,” he says finally says, very slowly.

18) And if you had to cross it?
“You want to know what I would do,” he said.
I nod. “And she’s betrayed you,” I say, twisting the blade, and watch his face contort. “And you love her.”
“I would die,” he whispers hoarsely.
“And what would you do?”
He drops his head. “Her bidding.”

So, how about you? Have you ever interviewed any of of your characters?  What did you find out?  About them?  About you.

Do you have any  character interview questions you especially like? Great, provoking questions for your protagonists?

Loving is Intelligent

Thursday, August 6th, 2009

Kris Kennedy

Kris Kennedy

I have been thinking a lot about unions, and romance, and about the sometimes dim view the public takes of the romance novel.  I still don’t completely get it, but continue my hunt for understanding.

I recently did a blog with Elisabeth Naughton about ‘reunion stories’ in romance, which had me examining why they are so potent (in suitably compact way, fit for a blog.)  As I was looking at components of unions and reunions, I came to the notion of ‘attunement,’ and was quite taken with it.

Attuned means we can ‘read’ each other, and respond.  And those are, of course, two of the essential components of intelligence, be it emotional, kinesthetic, or intellectual intelligence: the ability to see what’s happening in the ‘world’ around us and change in response.

When we are in ‘union,’ attuned to another, we flex for him or her.  We sense the other and shift in response.

Of course, one could use this ‘intelligence’ for nefarious purposes, and sometimes our heroes do (it’s usually the boys, isn’t it?), but that’s before they get ‘in union’ with the heroine.  Once that’s done, once he is attuned, that barn door is shut.  The hero is never going back to the Old World.  No matter how much he might wish to.  Poor guy.

This kind of intelligent union is not compromise so much as a dance, or music.  We move for and with each other.  In a romance, of course, this delightfulness comes only after a suitably long period–or at least a suitably emotionally-packed period–of darkness, discord, and incompatibility. Utter inflexibilty.

(Seeing as this is the converse of ‘intelligence,’  one might be tempted to call this ‘stupidity.’  Should you note that urge, please indulge.  Just not when I’m arguing with my husband and being inflexible and stubborn.  Thanks in advance.)

So, when we connect at this deep, ‘sensing’ level, we are exhibiting the very essence of intelligence.  When we write about characters doing this, we are writing about emotionally intelligent characters.

Who are some great heroes you love from romances?   Why do they grab you?

I forward the thesis that often, at their core, when the barn door is shut and he’s in the dark (metaphorically), the romance hero does the intelligent thing: he flexes for the heroine.

And heroines?   Surely they do this as well.

In fact, I believe women are primed for this sort of core intelligence, socially and biologically.   But in modern day romances, I think we often see heroines acting from the other end of the intelligent continuum, where they witness the hero’s need, but do what is right for themselves.   And you know, after millennia with things going the other direction, maybe that’s the intelligent thing to do.

And our heroes love them for it. Which is, of course, is the intelligent  thing to do.

Because intelligence not only flexes, it stretches.

And that’s not such a bad thing, is it?

So tell me: Who are some of your best-loved attuned and intelligent heroes from romance?  Heroes who ‘read’ the heroine and flex in response.  Remember: they don’t need to start out that way!

How about heroines?

*****

England, 1152: After seventeen years of civil war, things are about to change...

England, 1152: After seventeen years of civil war, things are about to change...

Available now!
THE CONQUEROR
After seventeen years of a civil war, things are about to change.

Reluctant hero Griffyn ‘Pagan’ Sauvage is single-minded in pursuit of his mission: overthrow England.   He rejects anything related to a destiny, as he’s rejected everything connected to his brutal father.

He veers from his quest only once, to rescue a brave and beautiful woman from a midnight abduction.

Guinevere de l’Ami, countess of Everoot since her father died two weeks ago, is equally committed, with an earldom to protect, and old sins to repair.

One fateful night changes everything.  A midnight rescue on the king’s highway results in a single night of unforgettable passion, making them risk everything for the despair-defying connection neither ever hoped to find.

Their explosive reunion, a year later, follows betrayal and a bloody invasion.  Now cold vows of revenge, the lure of buried treasure, and the deadly enemy closing in threaten a love that could unite a kingdom, or bring it crashing to the ground.

What Kind of Hero Do you Like To Read About?  And Is He . . . .

Thursday, June 18th, 2009

Kris Kennedy

Kris Kennedy

. . . like your husband?

Or like the man you’re raising your son (if you have one) to be?

I think this is an interesting dichotomy, at least for me, because no, I don’t necessarily write about the man I married, or the man I’m raising my son to be.

But then, so often what makes the hero interesting and angst-y is trials and traumas I’d sacrifice body parts to prevent happening to my son, be they delivered at the hands of a stranger,  the family, or the world at large (not that I’ll be wildly successful in preventing the first or last for very much longer, mind you.)

But I do love a tortured, alpha hero.  And I write about them.  In THE CONQUEROR, my medieval released last month, and WANTING FINIAN (or whatever it’s going to be titled—check in again in a month or so <g>),  out next spring, I write about men who take control, are highly confident, who are assertive and take-charge kinda guys.  My husband is more laid back than all that.

But there are  elements to these fictional heroes that I think would stand up nicely to the realities of modern-day stress and family life.

England, 1152: After seventeen years of civil war, things are about to change...

England, 1152: After seventeen years of civil war, things are about to change...

The heroes I love listen.  Okay, fine, sometimes it takes them awhile, but they’re not *afraid* to listen to another point of view.  Then they do what THEY think is right, even if their wife thinks they’re ins–  wait.   I mean, even if the *heroine* think he’s insane :sheepish grin:

The heroes I love are self-aware.

They’re willing to change, to rethink a position.

They’re willing to sacrifice.  Which means they have values.  Or–sometimes better yet– acquire them over the course of a story.

They do the dirty work, not needing, expecting, or wanting recognition or appreciation.

And above all, they respect their women.  Nothing less will do for a hero, in my mind.

So I suppose there are a few things in common with my husband.  :-)   This isn’t an all-or-nothing, either/or dichotomy.

How about you?  What about the men you read about vs. the man you married and/or are raising?

Comments (10)
Layout Image